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Fela Kuti Fela is a man of contradictions. This is what makes him so intriguing. People who love him will forgive the parts of him that aren't perfect. His songs are usually longer than 20 minutes and are sung in a slurred Pidgin English that is almost unintelligible. His music is inspired by Christian hymns classical music, jazz, Yoruba chant, and horn-and-guitar heavy highlife. He was a musician Fela Kuti embodied that music can be a tool to influence the world. He utilized his music to call for changes in the political and social spheres and his influence can be present in the world in the present. His style of music, Afrobeat, is a blend of African and Western influences. Its roots are in West-African music and funk. However it has evolved into a completely new genre. His political activism was ferocious and unflinching. He used his music to protest against corruption in the government and human rights violations. Songs such as “Zombie”, “Coffin for the State Head” and others were blatant criticisms of Nigeria's government. He also made his home, Kalakuta Republic, as an enclave for political activism and a gathering place for people who were like-minded. The production includes a massive portrait featuring his mother, who died in the past Funmilayo ransome-Kuti. She was a renowned feminist and activist. She is played by actress Shantel Cribbs, who has successfully depicted her importance in the life of Fela. The play also examines her political activism. Despite her declining health she refused to undergo tests for AIDS. Instead she opted for traditional treatment. He was a singer Fela Ransome-Kuti was a complex musician who used his music to facilitate political change. He is credited as the creator of afrobeat, an invigorating blend of dirty funk and traditional African rhythms. He was also a relentless critic of Nigeria's governmental and religious leaders. Fela's mother was a suffragist against colonialism, so it is not unusual that he has a love for social commentary and politics. His parents had hoped that he would be a doctor however, he had other plans. A trip to America changed his life forever. The exposure to Black power movements and the leaders such as Malcolm X and Eldridge Cleaver would have a profound influence on his music. He developed the Pan-Africanism philosophy, that would influence and guide his later work. He was a writer. Fela was introduced to Black Power activists like Stokely Carmichael, and Malcolm X during his time in the United States. This experience led him to start a political group called the Movement of the People and compose songs that expressed the ideas that he held about political activism and black awareness. His philosophies were publicly expressed through yabis, a form of that he described as 'freedom expression'. He also began to establish a strict ethical code for his band, such as refusing to take medication from Western-trained doctors. After his return to Nigeria Fela started building his own club, the Shrine in Ikeja. The frequent raids by police and military officials was nearly constant. The Mosholashi-Idi Oro hangers-on who he had re the area around the club with hard drugs, particularly 'bana' and 'yamuna' (heroin). But despite this, Fela was a man of uncompromising integrity. His music is a testimony to his determination to challenge authority and demanding that the popular goals are recognized in official goals. It is a remarkable legacy that will be remembered for generations to come. He was a poet Fela's music employed sarcasm and humor to draw attention to economic and political issues in Nigeria. He also snarkily mocked his audience, government, and even himself. In these shows, he referred to himself as “the big fish in the small pond.” These jokes were not accepted lightly by the authorities, and he suffered repeated arrests, imprisonments and beatings at the hands of the authorities. He was eventually given the title Anikulapo, which translates to “he is carrying his death in his pouch.” In 1977, Fela released a song called “Zombie” in which he compared soldiers with mindless zombies who followed orders without question. This irritated the military who seized the Kalakuta Republic, burning it down and beating its occupants. In the course of the raid, the mother of Fela was thrown from her second-floor window. Fela developed Afrobeat during the years that following the nation's independence. Afrobeat is a music genre that blends jazz with indigenous African rhythm. His songs criticised European culture imperialism and supported African traditional beliefs and cultures. He also criticised fellow Africans for disrespecting their country's traditions. He stressed the importance of freedom and human rights. He was a hip-hop artist A trumpeter, saxophonist and composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up with jazz and rock and roll, as well as traditional African music and chants which helped shape his unique style of music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work profoundly. When he returned to Nigeria, Fela began using his music as a tool for political purposes. He was critical of the government of his country, and argued against Western sensibilities that impacted African culture. He also wrote about human rights violations and social injustices. right violations. He was repeatedly detained for his criticism of military. Fela also advocated for the use of marijuana, referred to as “igbo” in Africa. He often held public debates at Afrika Shrine, which he referred to as “yabis” which was where he would lampoon government officials and spread his beliefs about freedom of expression and the beauty of women's bodies. Fela also had a group of women in his youth, who danced at his shows and acted as vocal backups to him. He was a dancer Fela was a master of musical fusion, taking elements from beat music, and highlife to create his own distinct style. He influenced generations of African musicians and was an outspoken critic of colonial rule. Despite being snatched and tortured by the Nigerian military junta and witnessing his mother be killed, Fela refused to leave the country. He died in 1997 of AIDS-related complications. Fela was a well-known political activist who opposed the oppressive Nigerian Government and endorsed the principles Pan Africanism. His albums, including 1973's Gentleman focused on fighting oppression from both colonial and government parties. He also pushed for black power and criticised Christianity and Islam as non-African imports, which have been used to divide the people of Africa. The title track of a 1978 album, Shuffering and Shmiling, describes the over-crammed public busses filled with poor workers “shuffering and smiling.” fela lawsuits was a fierce opponent of religious hypocrisy. Fela's dancers were also an excellent complement to his music. They were sensual, vibrant, and elegant. Their contributions to the performances were as significant as Fela's words. He was a political activist Fela Kuti used music as a tool to confront unjust authorities. He adapts his knowledge of American jazz and funk to African rhythms and modes making an ear that was ready for a fight. Most of his songs begin as slow-burning instrumentals. He layers little melodies, riffs, long-lined melodies and other elements until they explode with urgency. Fela, unlike many artists who were scared to discuss their political beliefs He was adamant and unbending. He stood up for what he believed in even when it was risky. His mother, Funmilayo Ransome-Kuti was a fervent feminist who was the leader of the Nigerian Women's movement. His father was a protestant minister as well as the teacher's union president. He also established Kalakuta Republic – a recording studio and commune that became a symbol of the resistance. The government seized the commune, destroying the property and injuring Fela severely. He refused to give up, however and continued to speak out against the government. He died in 1997 from complications caused by AIDS. His son Femi continues to carry his musical and political legacy. He was a father Music is often thought of as a political act and musicians use lyrics to call for change. Some of the most powerful musical performances are not performed with words. Fela Kuti was one such artist and his music continues to ring out to this day. He pioneered Afrobeat which combines traditional African rhythms and harmonies with jazz and funk, inspired by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that was serving its entire population. Fela's son Seun continues his father's legacy, through the band Egypt 80 that's touring the world this year. The band's music blends the music and politics of Fela's time with a passionate critique of the same power structures that are still in place today. Black Times will be released at the end March. Thousands of fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so huge that police were forced to shut down the entrance to the location.